That’s what the world is, after all: an endless battle of contrasting memories.
u2015 Haruki Murakami, 1Q84 (via larmoyante)

I sat down. I remembered how the first time we had sex, I left the lights on, kept my eyes wide open and concentrated really hard on letting go; then I noticed that his eyes were open too and in the middle of taking off my clothes we sat down on the floor and had an hour-long conversation about poetry. It was all very peculiar. It was all very familiar.

Another time he woke me up in the middle of the night, lifted me off the pale blue sheets, led me outside to the stars and whispered: Look, Annie, look—there is no space for anything but dreaming. I listened, sleepily, wandered back to bed and found myself wide awake, staring at the ceiling, unable to dream at all. Ben fell asleep right away, but I crept back outside. I tried to dream up to the stars, but I didn’t know how to do that. I tried to find a star no one in all of history had ever wished on before, and wondered what would happen if I did.

On his last human day, he put his head in his hands and sighed and I stood up and kissed the entire back of his neck, covered that flesh, made wishes there because I knew no woman had ever been so thorough, had ever kissed his every inch of skin. I coated him. What did I wish for? I wished for good. That’s all. Just good. My wishes became generalized long ago, in childhood; I learned quick the consequence of wishing specific.

I took him in my arms and made love to him, my sad man. See, we’re not thinking, I whispered into his ear while he kissed my neck, we’re not thinking at all and he pressed his head into my shoulder and held me tighter. Afterwards, we went outside again; there was no moon and the night was dark. He said he hated talking and just wanted to look into my eyes and tell me things that way. I let him and it made my skin lift, the things in his look. Then he told me he wanted to sleep outside for some reason, and in the morning when I woke up in bed, I looked out to the patio and there was an ape sprawled on the cement, great furry arms covering his head to block out the glare of the sun.

u2015 Aimee Bender, “The Rememberer” 
because this is what you do. get up.
blame the liquor for the heaviness. call in late
to work. go to the couch because the bed
is too empty. watch people scream about love
on Jerry Springer. count the ways
it could be worse. it could be last week
when the missing got so big
you wrote him a letter
and sent it. it could be yesterday, no work
to go to, whole day looming.
it could be last month
or the month before, when you still
thought maybe. still carried plans
around with you like talismans.
you could have kissed him last night.
could have gone home with him, given in,
cried after, softly, face to the wall, his heavy arm
around you, hand on your stomach, rubbing.
shower. remember your body. water
hotter than you can stand. sit
on the shower floor. the word
devastated ringing the tub. buildings
collapsed into themselves. ribs
caving toward the spine. recite
the strongest poem you know. a spell
against the lonely that gets you
in crowds and on three hours’ sleep.
wonder where the gods are now.
get up. because death is not
an alternative. because this is what you do.
air like soup, move. door, hallway, room.
pants, socks, shoes. sweater. coat. cold.
wish you were a bird. remember you
are not you, now. you are you
a year from now. how does that
woman walk? she is not sick or sad.
doesn’t even remember today.
has been to Europe. what song
is she humming? now. right now.
that’s it.
u2015 Marty McConnell, “Survival Poem #17” (via pigmenting)
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